El Day of Spring she celebrated 21 September en la Argentina. When the equinox began, a year ago it was a national tradition in which the month celebrated September 21. During this time, many people have chosen to carry out acts of love that their children and friends perform Flowers given, A fundamental protagonist of these months. In recent years he has become part of the trend among the younger generations, yellow flowers buried.
If this color represents peace, harmony and prosperity, this gesture will go viral due to its reference Floricienta, A television series created in 2004 that enjoyed great popularity in reality. Including, recently it was strict MargaretU.N spin off en Floricienta This is the life of the protagonist.
It was a telenovela created by Cris Morenaoriented to the child and adolescent public, which had its debut in 2004. Thanks to its remarkable exit, continued with two periods, more than 60 songs and songs from different countries. This production has been created for a generation and has been recorded in the present day by many fans who remember its chapters and sing its most famous themes.
The tram turns around Florencia SantillanPaper protagonized by Florence BertottiI was a young man dedicated to music and children’s entertainment. When I met a family and one of their events, the office is only in its third year Fritzenwaldena group of hermanos who also lost their padres and Vivian in a mansion.
Juan Gil Navarro Protagonizaba al Hermano Mayor, encargado de cuidar a los más chicos, Federico Fritzenwalden. The cast is complete with participants Isabel Macedo, Benjamín Rojas, Fabio Di Tomaso, Lali Espósito, Graciela Stéfani, Esteban Prol, Stefano De Gregorio, Henny Trayles, Alberto Anchart, Zulma Faiad, Nicolás Maiques and Agustín Sierra and others.
During the first season of the series, the protagonist fell in love with Federico and became fascinated by the person Juan Gil Navarro the shelf yellow flowersas a Gesture of love. This clip was accompanied by one of the most popular themes of the Banda-Sonora of this fictitious music that is called “Yellow flowers”. His text refers to the anhelo of youth and receives a ramo as an explanation of the affects and correspondence of his feelings.
It was a transformation into a popular culture and was appreciated by the social media such as TikTok, which developed its relevance in recent years. In this application, players are rewarded with their own videos with the sound of this background theme and their desire to receive this gift is displayed on the screen Day of Springbecause this fecha buries the Ramos de Flores in the land.
The popularity of “Yellow flowers” Recently, reproduced more than 65 million times on Spotify, the song has been the most devoured Floricienta On this platform. There are more than 11,000 audio videos on TikTok, which are represented on YouTube with more than 3.9 million views.
It is so that there is an amarilla-colored flower
Ella was dreaming with the light and her student
Y the amarillo del Sol illuminates the sky
The sentia tan cercano, the sentía desde niña
She knows what she knows
What is a past day
What to look for
With its yellow flowers
Not te apures, not detengas
The moment of encounter
You know it’s a mistake
No Pierdas, no Derecho
Don’t forget, life
So, now I won’t sleep
We want to set off from this bar
Ella llegó in limusina amarilla por supuesto
It’s a sign of remorse that’s about to stop
Today you have a good life and you don’t have anything to say
She knows what she knows
What is a past day
What to look for
With its yellow flowers
Not te apures, not detengas
The moment of encounter
You know it’s a mistake
No Pierdas, no Derecho
Don’t forget, life
So, now I won’t sleep
Yellow flowers
She knows what she knows
What is a past day
What to look for
With its yellow flowers
Not te apures, not detengas
The moment of encounter
You know it’s a mistake
No Pierdas, no Derecho
Don’t forget, life
So, now I won’t sleep
She knows what she knows
El Sabia, she is Sabia
What is Sabia, she is Sabia
Y se olvidaron de sus flores amarillas
THE NATIONALITY
